Doom!

Doom are an English hardcore punk band from Birmingham whose first lineup were together from 1987 to 1990. Despite its short existence, the band is considered pivotal in the rise of crust punk, a punk rock style that fuses extreme metal with anarcho-punk. They recorded for Peaceville Records and are cited as an early precursor to the grindcore style of extreme music. Doom were also a favorite of BBC Radio DJ John Peel. Early history[edit] Doom began as The Subverters with Jon Pickering (bass/vocals), Bri Doom (guitar) and Jason Hodges (drums). After Jason was replaced by new drummer, Mick Harris, the band changed its name to Doom. This lineup played one or two gigs, playing in a crossover metal style. Bri and Jon decided this wasn't the direction they wanted the band to move in. Consequently, they left Harris and the metal style of music, and decided to go in a Discharge-influenced crust punk-style that Doom became known for. Pickering dropped bass to concentrate on vocals and Pete Nash joined as bass player. Harris left so new drummer Stick, recently made bandless, joined after a drunken meeting at the infamous Mermaid Pub, this was when the 'real' Doom was formed. The band started rehearsing with this line-up in mid 1987. 1987-1990[edit] About this time a small label called Peaceville Records was starting up. They heard about Doom through word of mouth and asked if they were interested in contributing songs to the first Peaceville compilation A Vile Peace. Doom went into the studio to record their first demo on 28 August 1987. Nash unfortunately broke his wrist just before Doom's recording debut, so bass player Jim Whitley (of Napalm Death and Ripcord fame) filled in on the recording. Three songs were recorded (two of which appeared on A Vile Peace). On the strength of this first recording Peaceville asked Doom if they would record a full LP for them, which they agreed to do. The War is Big Business demo was recorded on 27 November 1987, which the band sold as a cassette at gigs. In February 1988, Doom went into "Rich Bitch" studios and recorded 21 songs for their debut album War Crimes (Inhuman Beings). All this time the band gigged constantly in the UK building up a following on the way. Another demo Domesday was also produced. At the end of 1988, due to personal commitments Bri announced that he would be leaving the band. He stayed long enough to record the split LP Bury the Debt - Not the Dead (with Swedish band No Security) on the Peaceville label. The Police Bastard EP (on discarded records) was also recorded at the same session. Doom were also invited to record two sessions for Radio One's John Peel show around this point. Bri left the band in April 1989 after completing a lengthy European tour. Doom continued with different guitarists, most notably with Dave Talbot who co-founded UK doom metal band Solstice with Sore Throat's vocalist Rich Walker, but did not settle with four members for long playing numerous gigs as a three piece, as Pickering turned to vocal and guitar duties. This line up continued until a final split in August 1990. Following the group's demise Pickering formed Cain, then Police Bastard, whilst drummer Stick and bassist Nash joined Extreme Noise Terror. Stick then joined DIRT and Nash joined Filthkick and Cain. 1990s[edit] The band reformed in 1992 with the earlier line up of Bri, Jon, Pete and Stick. They toured Japan and recorded a 12" of new songs released on the label Vinyl Japan. This proved to be the last recording with this line up. About this point the band almost split up but Bri and Stick decided to continue with two new members. These being Tom Croft from Genital Deformities on vocals and Paul "Mall" Mallen on bass guitar. This line up recorded the split album with Selfish and a split 7" EP with Hiatus. Mall left shortly afterwards (an amicable parting). He was replaced by bassist Scoot from Largactyl. This line up recorded the split 7" EP Doomed to Extinction with Extinction of Mankind, the Fuck Peaceville double LP, and the Hail to Sweden 7" EP. This is also the line up who appear on the Videodoom video on MCR recorded on a European tour in 1994 A tour of Scandinavia was organised for September 1995, however Scoot decided not to go due to problems at home, so he was replaced by of Blood Sucking Freaks, moving to second guitar after the tour. Tom Croft also left just before the tour and was replaced by Wayne Southworth (also of Blood Sucking Freaks). While on the Scandinavian tour Doom recorded the Monarchy Zoo 7" EP at Sunlight Studios. The band, now composed of, Stick, Bri, Wayne and Chris, went into the studio in June 1996 and recorded a full LP for Flat Earth, Called Rush Hour of the Gods. Bri would go on to join Khang, this band then evolving into Lazarus Blackstar. moved to Sweden and formed Murdered Cop and then Gloomy Sunday. Stick is also part of the band RUIN. Pickering went on to form Police Bastard and Haxan and Nash later formed Corvus. 2000s[edit] On 18 March 2005 Wayne Southworth (lead singer) was found dead in his home by a friend. The cause of death was an epileptic seizure.[citation needed] The band then played at the 1 in 12 club, Bradford, England one last time without Wayne Southworth in tribute of their friend. In 2013 Doom toured Canada for the first time and released a new track ("Stripped, Whipped & Crucified, Part I") from their upcoming LP ("Corrupt Fucking System") on a compilation entitled "25 Years of Crust" via Moshpit Tragedy. In 2015 while Doom was on their South American tour, 4 fans died in a stampede outside their show in Chile.[2] Members[edit] Current members Brian "Bri Doom" Talbot - guitar, vocals (1987-1989, 1992-2005, 2010-present) Tony "Stick" Dickens – drums (1987-1990, 1992-2005, 2010-present) Scoot – bass (1992-1995, 2010–present), guitar (1995) Denis Boardman – vocals (1995-present), bass, guitar (1995-?) Former members Jon Pickering – vocals (1987-1990, 1992), bass (1987), guitar (1989-1990, 1992) Tom Croft – vocals (1992-1995) Wayne Southworth – vocals (1995-2005; died 2005) David Talbot – guitars (1989) Pete Nash – bass, vocals (1987-1990, 1992) Paul "Mall" Mallen – bass (1992) Chris Gascoigne – bass (1995-?) Andy Irving – bass (?-2005) Jason Hodges – drums (1987) Mick Harris – drums (1987) Touring members Jim Whitley – bass (August 1988, only studio from the A Vile Peace record) Timeline[edit] Discography[edit] Albums War Crimes (Inhuman Beings) LP (1988, Peaceville Records) Bury the Debt - Not the Dead split LP w/ No Security (1989, Peaceville Records) The Greatest Invention LP/CD (1993, Vinyl Japan) Pro-Life Control split LP/CD w/ Selfish (1994, Ecocentric Records) Rush Hour of the Gods LP/CD (1996, Flat Earth) World of Shit LP/CD (2001, Vinyl Japan) Corrupt Fucking System LP (2013, Black Cloud) EPs/demos War is Big Business Demo Tape (1987, discarded tapes) Police Bastard 7" (1989, Profane Existence) (More than 20,000 copies sold. Second best selling crust 7", after Aus-Rotten's "Fuck Nazi Sympathy")[citation needed] Live in Japan 7" (1992, Ecocentric Records) Lost the Fight 7" (1993, Flat Earth/Nabate) Doomed to Extinction split 7" w/ Extinction of Mankind (1994, Ecocentric Records) Hail to Sweden 7" (1995, Pandora's Box) Pissed Robbed & Twatted - Live in Slovenia 7" (1996, Nuclear Sun Punk) Monarchy Zoo 7"/CD EP (1996, Vinyl Japan) split 10" w/ Cress (1998, Flat Earth) Consumed To Death (2015, Black Cloud) Compilations/reissues/live Total Doom CD (1989, Peaceville Records) Jon Pickering (vocals); Bri (guitar); Peter Nash (bass guitar); Stick (drums). Doomed from the Start LP/CD (1992, Vinyl Japan) Fuck Peaceville 2xLP/CD (1995, Profane Existence) Peel Sessions CD (1996, Vinyl Japan) Back & Gone Double Live CD & DVD Live video (2006, MCR) Doomed Again (2012, Agipunk) 25 Years of Crust Digital Sampler (2013, Moshpit Tragedy) Compilation appearances A Vile Peace LP (1987, Peaceville Records) Hardcore Holocaust (The 87-88 Peel Sessions) LP (1988, Strange Fruit Records) Spleurk! LP (1988, Meantime Records) Volnitza: The Worst of the 1 in 12 Club Vol. 6/7 2xLP (1989, 1 in 12 Records) Hardcore Holocaust II LP/tape (1990, Strange Fruit Records) Vile Vibes CD - (1990, Peaceville Records) Hardcore Resistance Tape - (1991, Heed the Ball!) Endless Struggle: The Worst of the 1 in 12 Club vol. 12/13 2xLP (1995, 1 in 12 Records) Gay Pride 7" (1995, Rugger Bugger Records) Aftermath LP/CD (1999, Aftermath Records) References and external links[edit] http://www.doomcrustpunk.com "Doom Official". Official facebook page. Retrieved 17 August 2011. "Doom". Rock Detector: The World's Biggest Rock Music Database. Retrieved 4 December 2008. "Sozzfest - Wayne Southworth". 1 in 12 Club. Retrieved 22 December 2006. References[edit] Jump up ^ http://www.doomcrustpunk.com/DOOMs_BLACK_CLOUD/DOOM____Black_Cloud_Records.html Jump up ^ Doom: Teníamos garantías de que el promotor tomó suficientes medidas de seguridad, ADN Radio Chile, 17 Apr 2015 (in Spanish).

Disrupt!

Disrupt was an American grindcore/crust punk band from Boston, Massachusetts, United States. They only released one mainstream album (Unrest on Relapse), however the band acquired a cult following on the strength of several underground 7-inch EPs and compilation appearances.[1] Their lyrics are anarchist in nature. Members of the band have gone on to play in many other bands since the dissolution of Disrupt, including Consume, Deathraid, Grief, State of Fear, Goff, Demonic Death Preachers, Effects Of Alcohol, and Chicken Chest and the Bird Boys.

Destroy!

Destroy was a Minneapolis crust punk band. Destroy originally formed sometime in 1988, and broke up sometime in the spring of 1994. Members of Destroy went on to play in the following bands: Code-13, Damage Deposit, Nigel Pepper Cock, Brainoil, Disembodied, Look Back and Laugh, Stormcrow and Disrespect, among others. Destroy ‎– Discography 1990-1994 Label: Havoc Records ‎– HC5008 Format: CD, Compilation Country: USA Released: 2002 Genre: Crust, Anarcho Crust, Hardcore punk, HxC, Grind Crust, Punk Rock, D-beat Tracklist: Necropolis LP 1 Remote Control / Phyrric Victory 2 Prey In School 3 Death Through Vanity I 4 Death Throuth Vanity II / Salvation In Death 5 Hysteria 6 Burn Down The Mall 7 Crowd Control 8 God Squad ('94) 9 Death Of A Generation 10 The Revolution Will Not Be Analog 11 Necropolis 12 War Without Mercy 13 MCMLXII 14 Misery 15 All-American Working Class Hero 16 Dogfight 17 Sword Of Damocles 18 War On Wankers '94 19 Stop Thinking And Follow 20 Laid To Waste 21 Another Religion, Another War Disturb Split 7" 22 Render Unto Ceasar 23 Chains Of Torment 24 Redneck Burn This Racist System Down 7" 25 Banality Of Evil 26 Get Used To It 27 Gynocide 28 Ode To Ramen 29 Burn This Racist System Down 30 Atomic Myopia 31 Anthem, Ad Nauseum, F.Y.I.P. 32 Crowd Control 33 Enforced Orthodoxy 34 Prey In School 35 Lethal Habits Bloodless Unreality Compilation 7" 36 Vile Horrendous Aerial Bombardment Crust And Anguished Life Compilation CD 37 Dead To The World CD Only "Bonus Track" 38 See Through Their Lies Disrupt Split 7" 39 Stop Thinking And Follow 40 Obedience / Defiance 41 Yuppie Beware Total Fucking Chaos 7" 42 Hordes Of Destruction / Santa God 43 Children's Crusade 44 We're Strong To The Finish 'Cos We Eats Our Spinach 45 Total Fucking Chaos 46 Us Vs. The World II 47 Fucking Alternative 48 Doom Of The Greedy 49 Untitled Track https://www.discogs.com/Destroy-Disco... (c) Destroy! / Destroy

Rise Of Crust

Felix Von Havoc Profane Existence 40 Rise of Crust article
I touched on this in MRR a few years ago but after some discussion on the PE message board I’d like to enter my opinions on the Rise of Crust. First of all, I use two terms quite frequently, Crust and Crusty hardcore or Crust-Core. I’d like to explain the difference before we proceed. To me true Crust is very metallic, like Hellbastard, Concrete Sox, Deviated Instinct or later Amebix. Crusty Hardcore or Crust Core on the other hand is pretty much based in thrash and dis core such as Disrupt, Extreme Noise Terror, and Doom. Also some bands that have a big crust following I would argue are neither, Napalm Death were very popular during the rise of crust but their music is probably better described as Grind Core or later on Death Metal. Similarly Resist and Deprived were big in the crust scene but played more traditional Punk Rock. This month we will begin our examination of the rise of crust with the early English scene. American crust (Nausea, A//solution, etc) we will deal with next issue.

A note on my personal involvement: The rise of crust occurred when I was in my late teens and early 20s. I was a very active participant in this scene. I was doing a small distro, tape trading, reading zines and writing for PE, which covered a lot of these bands. By the late 80’s hardcore in the USA was pretty beat. With the exception of Straight Edge Youth Crew most bands were playing bad metal or indie rock. I had been really into the early 80’s UK bands like Discharge, Conflict and Icons of Filth. And it was towards England that my ears were turned in the late 80’s. I was at the “import” section of the record store every week looking for the latest from Heresy, Concrete Sox, Disorder, Napalm Death, Ripchord and Legion Of Parasites. However, I was not on the scene in England and experienced the Rise of Crust vicariously through fanzines, pen pals and tape and record trading. So any errors, omissions and half-baked opinions result from me being thus far removed from the action. The PE letter column next issue will be filled with scathing letters from people who were in England in the 80’s telling me I got it all wrong, I’m sure.

I don’t feel that Crust started with just one band. It was a number of influences coming together at the same time colliding for a brief point then each process of musical progression continuing on it’s course. Undeniably Crust started in England. It took much of its politics, lifestyle and ethics from the early 80’s peace punk/anarcho punk movement. But musically it borrowed heavily from both American and British Metal, US Hardcore, Brazilian, Scandinavian and Japanese hardcore. Ironically, much of the music that was to influence early crust was in turn influence by early UK punk/hardcore bands like Discharge, Disorder and Chaos UK.

I think the most important influences on the more metallic Crust were bands like Antisect, Anti System, Sacrilege, Amebix and the last Varukers LP (one struggle one fight) These were bands that started in the peace punk scene but played more hardcore style. As metal influence started to grow in hardcore around 84-85 many of these bands took on distinct metal influence. Note of course this was the same time American bands like DRI, Doctor Know, Corrosion of Conformity and such were “crossing over” into metal territory. One principal difference was the political stance went with the UK bands while the American bands dropped most of their politics and embraced the music industry. This was a critical point in the development of what would today be called DIY ethics. Also metal pioneers such as Motorhead, Hellhammer/Celtic Frost and Trouble certainly had their influence in the heavy riff and rhythm department.

I think Amebix and Antisect were the first true Crust bands. Both bands however, started out playing in a more different style and by their later releases evolved into the new style that became known as Crust. Amebix first two 7”s Winter and Beginning of the End are more influenced by bands like Killing Joke and UK Decay. The aesthetic though was dead on, post apocalyptic dark and morbid. Life in a nuclear winter, a scarred barren earth, the cold embers that the meek would inherit after mankind wasted the planet. The No Sanctuary 12” we begin to see their dark hardcore sound develop more into what we would think of as Crust. The titanic 1985 Arise LP really codified that sound, the dark grinding mix of early anarcho punk/ dark hardcore and Motorhead. The final Amebix LP Monolith is a little too metal and over produced for my liking, but it’s most people’s favorite. Here the Amebix really turned up the metal and Motorhead influence to create one of the definitive Crust LPs.

Antisect’s self titled 1983 LP is powerful and dark anarcho punk/HC but to me it’s not really a crust record. The Out From the Void 7” released in 1985 however, is pure Crust genius, a genre defining record in terms of style and music. There were some demos recorded in this period as well (85-86) that I think really set the tone for bands that were emerging at the time such as Deviated Instinct and Hellbastard.

First Hellbastard. Their 1986 RipperCrust Demo was the first time I remember hearing the term Crust used. Hellbastard’s first two demos Ripper Crust and Hate Militia (Ripper Crust was later bootlegged on vinyl) along with the LP Heading for Internal Darkness are among my favorite early crust releases. I would say that if I had to pick a record/band/sound to define what I thought was “true” Crust I would pick this early Hellbastard stuff. There is also an early Hellbastard 7” They Brought Death on a German Label. Hellbastard’s later material is pretty predictable metal. But the early stuff has all the elements of truly great crust. Gruff, usually reverb drenched vocals, grinding, churning metal edged riffs, pounding bass, and wicked but brief leads.

Along with Amebix, Antisect and Hellbastard the most “true” early crust band in my opinion is Deviated Instinct. Their two demos Tip of the Iceberg and Terminal Filth Stenchcore were followed by the 1987 7” Welcome to the Orgy on Peaceville, the label with whose name the rise of crust will forever be linked. Welcome to the Orgy was followed by 1988’s Rock and Roll Conformity LP also on Peaceville. Deviated Instinct had the metallic grinding riffs that really defined the more metallic crust, that chug, chug, chug wail, chug, chug, chug wail with the stops and starts accentuated and some double bass beneath the surface. They also had the look down with the black and white record covers featuring the bizarre mix of Celtic motifs and metal looking ghouls and demons, some how tied into anarcho punk politics.

Concrete Sox was one of the first UK bands to drift heavily from hardcore into metal territory. Their 1985 LP, You’re Turn Next featured some blazing metal leads and chugging metal riffs. I always felt that the early Concrete Sox stuff was more influence by Thrash Metal like Metallica and Kreator than traditional UK crust influences like Antisect and Discharge. But I think a lot of people would want to argue that point with me. Suffice it to say this is more thrash-influenced crust as opposed to say Amebix more Motorhead influenced crust. Perhaps it’s just the guitar tone, which makes me think metal as I don’t think Sox was tuned as low or produced to maximize the bass as much.

Two bands I think are very important to metallic crust, but don’t strike me as truly being Crust bands themselves are Bolt Thrower and Sacrilege. I’d have to qualify both these bands as hardcore/crust influence but pretty much Metal. The First Bolt Thrower LP In Battle There is No Law certainly has elements of Crust and Hardcore and appealed to a crust audience. Likewise, Sacrilege started out playing fast metal influence hardcore, especially the Sacrilege tracks on We Won’t be Your Fucking Poor, and Angelic Scrape Attic flexi. But the first LP they were already pretty deep into metal territory. And both Bolt Thrower and Sacrilege were full on metal by their second LPs. (as was Hellbastard I must note) That said Sacrilege Behind the Realms of Madness and the first Bolt Thrower LP are two absolute total classics, near perfect mixes of metal and hardcore.

Axegrinder played a grinding crust very reminiscent of Amebix and Antisect. Their Grind the Enemy Demo is much more raw and Antisect sounding. It was another year or two later that the Rise of Serpent Men LP was released on Peaceville, recorded in 1988 but I don’t think it came out until 1990. This LP is probably the last of the truly great early crust records out of England. The production on this LP leans a little more towards a professional sounding metal LP but it’s crisp compared to some of the muddy early crust stuff. Axegrinder is probably the only band to come close to the Amebix playing dark heavy crust.

Some other bands that I think were influential to early Crust were AOA, Anti System and Legion of Parasites. AOA were more straight ahead hardcore in the Crucifix/Discharge style. They did an LP and a split LP with Oi Polloi, which are both excellent. Anti System started out more in the Discharge/Icons of Filth style but added an increasing degree of metal influence to their sound. They did a 7” In Defense of the Realm, an LP No Laughing Matter a split 7” with Morbid Humor and a final LP A look at Life. Personally, I think their earlier more straight ahead hardcore material is the best. Legion of Parasites 1984 LP Unexpected Guests is more straight ahead hardcore punk but their second LP Prison of Life brings in some crust influence and their final 1987 LP delves into metal territory rather unsuccessfully.

Electro Hippies were another critical early crust band that mixed fast thrash with metallic crust. I first remember hearing them on the Digging In Water comp. They did two demos Killing Babies for Profit and Killing Babies is Tight. These were followed by the split LP with Generic then the Only Good Punk Is a Dead one LP. Also recommended is the Electro Hippies Peel Sessions LP. There are two later live LPs but personally, I’m not too into live hardcore records.

Also very important to early crust but not really a crust band is Napalm Death. Napalm Death also started out playing more traditional anarcho punk (the Hatred Surge Demo) but soon the line up changed and they headed off into uncharted territory and pretty much jump-started the Grindcore scene. Granted they were influenced by fast HC like Larm and Pandemonium as well as metal like Repulsion but Napalm Death really put all the pieces together to create the brutal fast grindcore sound imitated ever since. The Scum LP was so incredibly ahead of it’s time in speed and ferocity and in my opinion is a total genre defining record that has never, and can never be equaled. Still, I wouldn’t really consider Napalm Death to be Crust, but they were certainly influential in the days of the Rise of Crust.

Crusty Hardcore or Crust Core is the other “wing” of the crust movement. I would differentiate crust core musically as being more influenced by fast hardcore and thrash than metal or motorhead. Aesthetically and politically though, crust core is almost exactly like the more metallic crust. In my opinion the two definitive crust core bands are Extreme Noise Terror and Doom. As alluded too above these bands drew their influences heavily from Japanese, Brazilian and Scandinavian hardcore bands of the 80’s. Discharge, Vaurukers, Chaos UK and Disorder ironically enough had influenced those bands. I think the “gruff” vocal style comes mainly from the Brazilian bands. A lot of the early 80’s Brazilian hardcore singers had really gruff, gravelly vocals. But the speed and fast paced stops and starts certainly come from Japanese bands like Systematic Death, Gauze and Lip Cream. Likewise the brutal Dis-core sounds of Doom seem to be like Discharge filtered through Sweden and bands like Anti Cimex, Shitlickers, Bombanfall and Crude SS.

The first true crust core record in my opinion is the Extreme Noise Terror side of the “earslaughter” split with Chaos UK. This was a totally mind blowing record when it came out. Chaos UK was playing balls out thrash and ENT was just in a league of their own with those insane vocals and fast crushing riffs. The only thing I remember being this intense about 1986-87 was the Thrash Til Death Comp and Napalm Death “Scum” LP. ENT followed this up in 1989 with Holocaust in Your Head, which is an incredibly powerful crusty hardcore assault. There are also several peel sessions, and a live bootleg LP from this time period. The last of the critical early ENT records was the split LP with FilthKick, In It For Life. Which should be every true punk’s motto.

Doom is probably my all time favorite Crust Core band. I probably like them so much since Discharge and the Scandinavian bands that imitated them are my all time favorites. Doom took the Dis Core style and tuned it down even lower and made it more brutal, then threw in sick thrash parts and gruff vocals for the ultimate crust brutality. The 1988 War Crimes LP ripped a page out of the Discharge book aesthetically featuring pictures of war victims and casualties of bomb attacks. This is played out today, but at the time it was a breath of fresh air to see a band going back to the roots instead of trying to play metal or indie rock. (We’ll cover Dis Core like Disaster and Discard some other time) In 1989 Doom returned with a split LP with No Security from Sweden. This LP had even faster roaring riffs that just intensified the brutality. Soon after there was the Police Bastard 7” that has been pressed numerous times in the UK and the US and is still a crust classic. There is an LP of Doom Peel Sessions from this era that is pretty boss as well.

Atavistic was another early crust band that really turned up the speed. In fact their speed approaches grind core levels but they weren’t really tight and precise enough for me to consider them grind. More like a crust core wall of noise. They did two critical 7”s Life During Wartime and Equilibrium, as well as a demo From Within. Their LP on Profane Existence, I thought was rather disappointing. I hope I don’t get fired for saying that.

Two bands that were important to UK hardcore at the time but weren’t really crust were of course Heresy and Ripchord. These bands were more traditional 80’s style hardcore, but at much higher speeds. I think those bands are more like 80’s Italian hardcore or Dutch Hardcore (which in turn were influenced by US bands, note the flannels and bandanas) than the UK crust bands.

Some important early crust comps are the Vile Peace LP on Peaceville; the Hiatus comp on Peaceville, and both volumes of Hardcore Holocaust that featured Peel Sessions stuff. Also cool was the Grind Crusher comp (more metal than crust) and the Digging in Water comp, which has a lot of straight up punk stuff too, but at least to me, was pretty influential in exposing some new bands.

I think that just about covers all the important early UK crust bands. As I mentioned above-There was an eager audience for this new stuff in the USA. You could argue that bands like Nausea, Disrupt, Apocalypse, Glycine Max, A//solution, Antischism, Confrontation, and Destroy were imitating the UK sound of the time, or that the music was developing simultaneously on both continents. But that is a story for another time.